MLK "Sell-a-bration"

I had a conversation with a fellow advertiser and we veered into a discussion about the appropriateness of using the Dr. Martin Luther King Jr. National holiday as a catalyst for a sale or special.
Given the issues of equality that the civil rights icon fought, and ultimately died for, I am of the opinion that it is not only inappropriate, but offensive and crass.
While there is a prevalent belief among some that we now live in a “post-racial” society, nothing could be further from the truth.
In some respect, that is why I am opposed to using Dr. King’s name and or likeness as a convenient means of creating a sales or retail event.
This hasn’t prevented retailers, to varying degrees, like Sears, local car dealers or a surf shop in Laguna Beach from creating MLK “Sell-a-brations.”
This special holiday has also become an opportunity for satire.
Another friend commented when I asked her what she thought, “It has become a retail holiday, especially when big brands like Sears participate in the process.”
That may be true, but does that make it right?

No Guts

There is a new monthly column in the New York Times called “Scene Stealers.”

The first column started today and featured Larry Flynt.

Pornography and Politics is the headline and that pretty much covers the column’s content.

The thing that caught my attention is the following quote from Flynt –

“I’m a total political junkie,” he said, adding that he thought Michelle Obama, who had spoken the night before our conversation at the Democratic National Convention, “was very, very good.”
But he doesn’t have a good feeling about the election.
“I’m not sure Obama can win,” Mr. Flynt said.
“There is racism at work against him. It’s disgusting, but nobody has the guts to talk about it.”

Let the conversation begin…

The industry knows quite precisely what they are doing

Caloric content and childhood obesity are only a part of the problem facing the African-American community.

A new study from the Center on Alcohol Marketing and Youth at the Johns Hopkins Bloomberg School of Public Health points to a threat that is greater than fast-food.

While I joined the vast majority watching the 2012 Summer Olympics Games, I also managed to squeeze in three cultural moments that I want to share.

One movie, one Broadway Revival and a cable documentary.

The movie.  Beasts of the Southern Wild.



A six-year-old girl from the southern Delta searches for her long-lost mother after her father falls ill and her world spins out of balance in the film from director Benh Zeitlin that took home the Grand Jury Prize and Best Cinematography award at the 2012 Sundance Film Festival. 

A harsh but loving father, “Wink” (Dwight Henry) swore that his beloved daughter Hushpuppy would be prepared for the day he was no longer able to look after her. 

Little did Wink realize that day would come sooner than anyone suspected, and when illness strikes him down, nature runs amuck. 

As the soaring temperatures melt ice caps and the sea levels swell, a race of prehistoric beasts named the aurochs emerge to reclaim the planet. 

Meanwhile, as the apocalypse unfolds, determined Hushpuppy bravely sets out on a mission to locate the mother she’s never known.

The captivating performance by 8 year old, Quvenzhane’ Wallis is a triumph and a revelation.  

The Broadway Revival.  The Best Man.


The action takes place at a 1960 Presidential convention in Philadelphia.  Five men vie for their party’s nomination for President.  

Vidal masterfully created a plot filled with intrigue, humor and contradictions in this finely acted political drama that stands the test of time and, despite the fact that it originally debuted in 1961, maintains a unique resonance today.

The production I saw included John Laroquette and John Stamos as two sparring opponents, performances by Angela Lansbury, Cybil Shepherd, Kristin Davis and James Earl Jones as former U.S. President, Art Hockstader.  A Black former U.S. President in the 1960’s

The Documentary.  I stumbled upon “About Face” from HBO by accident.
Fashion icons Beverly Johnson, Pat Cleveland and Bethann Hardison made great inroads as Black supermodels during the ’70s. 



Before Naomi Campbell and Tyra Banks achieved everyday name recognition, Cleveland was a star of the most lauded fashion runways. Hardison, too,  graced runways  and the cover of Ebony Magazine.
Johnson made history as the first black woman to appear on the cover of American Vogue.